Works By Roy Harris (1898-1979) USA
Image from CUNY
Image from CUNY
Year | . . | Title | Part | Dur | ||
1926 | Concerto for String Quartet, Piano, and Clarinet, Op. 2 | |||||
Orchestra | Chamber Ens New York | | ||||
1928 | Sonata Op. 1 | |||||
Piano | JR Cox | | ||||
1933 | Symphony No. 1, 1933 | |||||
1. Allegro | Koussevitsky, et al | | ||||
2. Adante | Koussevitsky, et al | | ||||
3. Finale - Maestoso | Koussevitsky, et al | | ||||
1934 | Symphony No. 2 | |||||
1. Con Bravura | A Miller, et al | | ||||
2. Molto cantabile | A Miller, et al | | ||||
3. Maestoso | A Miller, et al | | ||||
1934 | When Johnny Comes Marching Home – An American Overture | |||||
Orchestra | Fuge, et al | | ||||
1935 | Symphony for Voices (Walt Whitman) | |||||
1. Songs for all seas, all ships (from Sea Drift) | Shewan, et al | | ||||
2. Tears (from Sea Drift) | Shewan, et al | | ||||
3. Inscription (from Inscriptions) | Shewan, et al | | ||||
1936 | Piano Quintet | |||||
1. Passacaglia | J Harris (wife), Coolidge Quartet | | ||||
2. Cadenza | J Harris (wife), Coolidge Quartet | | ||||
3. Fugue | J Harris (wife), Coolidge Quartet | | ||||
1937 | String Quartet No. 3 | |||||
1. Prelude I | Third Angle Ensemble | | ||||
2. Fugue I | Third Angle Ensemble | | ||||
3. Prelude II | Third Angle Ensemble | | ||||
4. Fugue II | Third Angle Ensemble | | ||||
5. Prelude III | Third Angle Ensemble | | ||||
6. Fugue III | Third Angle Ensemble | | ||||
7. Prelude IV | Third Angle Ensemble | | ||||
8. Fugue IV | Third Angle Ensemble | | ||||
1937 | Symphony No. 3 | |||||
In One Movement | Koussevitsky, et al | | ||||
1938 | Little Suite for Piano | |||||
Piano | Burleson | | ||||
1938 | Sanctus - Benedictus | |||||
Chorus | Shewan, et al | | ||||
1939 | Folksong Symphony - Symphony No. 4 | |||||
1. The Girl I Left Behind Me | Golschmann, et al | | ||||
2. Western Cowboy | Golschmann, et al | | ||||
3. Interlude: Dance Tunes for Strings and Percussion | Golschmann, et al | | ||||
4. Mountaineer Love Song - He's Gone Away | Golschmann, et al | | ||||
5. Interlude: Dance Tunes for Full Orchestra | Golschmann, et al | | ||||
6. Negro Fantasy | Golschmann, et al | | ||||
7. Johnny Comes Marching Home | Golschmann, et al | | ||||
1939 | Inscription | |||||
Chorus | Shewan, et al | | ||||
1939 | Soliloquy and Dance | |||||
Band | Roberts, et al | | ||||
1939 | A Whitman Tryptich | |||||
I. I hear America Singing | Shewan, et al | | ||||
II. What is the Grass | Bohlin, et al | | ||||
III. Facing West | Bohlin, et al | | ||||
1940 | Acceleration | |||||
Orchestra | Alsop, et al | | ||||
1940 | American Creed for orchestra | |||||
I. Free to Dream | JE Jones, et al | | ||||
II. Free to Build | JE Jones, et al | | ||||
1940 | Symphony No. 5 | |||||
1st Movement | Whitney, et al | | ||||
2nd Movement | Whitney, et al | | ||||
3rd Movement | Whitney, et al | | ||||
1943 | Symphony No. 6 'Gettysburg Address' (Lincoln) | |||||
1. Awakening | Clark, et al | | ||||
2. Conflict | Clark, et al | | ||||
3. Dedication | Clark, et al | | ||||
1944 | Piano Concerto in One Movement | |||||
Piano & Orchestra | J Harris, et al | | ||||
1946 | American Ballads | |||||
I. Streets of Laredo | J Harris | | ||||
II. Wayfaring Stranger | J Harris | | ||||
III. The Bird | J Harris | | ||||
IV. Black is the Color | J Harris | | ||||
V. Cod Liver Ile | J Harris | | ||||
1949 | Kentucky Spring for orchestra | |||||
Orchestra | Whitney, et al | | ||||
1949 | Toccata | |||||
Piano | J Harris | | ||||
1949 | Violin Concerto | |||||
I. 1st Movement | Waley-Cohen, et al | | ||||
II. 2nd Movement | Waley-Cohen, et al | | ||||
III. 3rd Movement | Waley-Cohen, et al | | ||||
IV. 4th Movement | Waley-Cohen, et al | | ||||
1951 | Symphony No. 7 | |||||
Part I | Keelan, et al | | ||||
Part II | Keelan, et al | | ||||
Part III | Keelan, et al | | ||||
Part IV | Keelan, et al | | ||||
1952 | Symphony for Band 'West Point' | |||||
2nd Movement | West Point Band | | ||||
1953 | Abraham Lincoln Walks at Midnight – chamber cantata | |||||
Voice & Piano | Tangeman, et al | | ||||
1954 | Fantasy for piano and orchestra | |||||
Piano & Orchestra | J Harris , et al | | ||||
1956 | Ode to Consonance | |||||
Orchestra | Paray, et al | | ||||
1961 | Symphony No. 8 'San Francisco' | |||||
Part I | Miller, et al | | ||||
Part II | Miller, et al | | ||||
Part III | Miller, et al | | ||||
Part IV | Miller, et al | | ||||
Part V | Miller, et al | | ||||
1962 | Symphony No. 9, Constitution | |||||
1. We the people | Kuchar, et al | | ||||
2. To form a more perfect union | Kuchar, et al | | ||||
3. To promote the general welfare | Kuchar, et al | | ||||
1964 | Epilogue to Profiles in Courage – JFK | |||||
Orchestra | Kuchar, et al | | ||||
1965 | Symphony No. 10 'Abraham Lincoln' | |||||
Orchestra | Woods, et al | | ||||
1967 | Symphony No. 11 | |||||
Orchestra | Hobson, et al | | ||||
1967 | Symphony No. 12 'Père Marquette' | |||||
Part I | Gunning, et al | | ||||
Part II | Gunning, et al | | ||||