Works By Charles Ives (1874-1954) U S A
Image from Wikipedia
Image from Wikipedia
Year | . . | Title | Part | Title | Dur | |
1886 | Minuetto, Op. 4 (1886) | |||||
Piano | Berman | | ||||
1887 | Holiday Quickstep (1887) | |||||
Theater Orch | Gianopolous, et al | | ||||
1888 | Fantasia on Jerusalem the Golden (1888) | |||||
Band | US Marine Band | | ||||
1891 | Variations on "America", for organ (1891) (arranged for orchestra by William Schuman and also arranged for piano solo by Lowell Liebermann) | |||||
Piano | Deutsch | | ||||
1891 | Psalm 42 (1891–92) | |||||
Organ & Choir | Creed, et al | | ||||
1893 | March No. 3 in F and C (1893?, inc.) | |||||
Piano | Berman | | ||||
1894 | March No. 1 for Piano, with "Year of Jubilee" (c1894-5) | |||||
Piano | Berman | | ||||
1895 | March No. 2, with Son of a Gambolier (1895?) | |||||
Piano | Berman | | ||||
1895 | March No. 3, with My Old Kentucky Home (1895?) | |||||
Band | Slatkin, et al | | ||||
1895 | March No. 2 for Piano, with "Son of a Gambolier" (1895) | |||||
Piano | Berman | | ||||
1895 | March No. 5 for Piano, with "Annie Lisle" (c1895) | |||||
Piano | Berman | | ||||
1895 | March No. 6 for Piano, with "Here's to Good Old Yale" (c1895-6) | |||||
Piano | Berman | | ||||
1896 | March in F and C, with Omega Lambda Chi (1896) | |||||
Piano | Berman | | ||||
1897 | March in G and C for Piano, with "See the Conquering Hero Comes" (1896-7) | |||||
Piano | Berman | | ||||
1898 | The Circus Band (1898) | |||||
Piano | Berman | | ||||
1898 | Invention in D (c1898) | |||||
Piano | Berman | | ||||
1898 | Fugue in c minor (c1898) | |||||
Organ | Quinn | | ||||
1898 | The Celestial Country (1898-1902) | |||||
Parts I & II | Hughes, et al | | ||||
Part III | Hughes, et al | | ||||
Parts IV & V | Hughes, et al | | ||||
Parts VI & VII | Hughes, et al | | ||||
1898 | Psalm 67 (1898–99) | |||||
Choir | BBC Singers | | ||||
1898 | Psalm 150 (1898–99) | |||||
Choir | BBC Singers | | ||||
1899 | Overture in G Minor (1899, inc.) | |||||
Orchestra | Sinclair, et al | | ||||
1899 | Postlude in F (1899?) | |||||
Band | US Marine Band | | ||||
1899 | Yale-Princeton Football Game (1899, inc.) | |||||
Orchestra | Sinclair, et al | | ||||
1900 | String Quartet No. 1: From the Salvation Army (1900) | |||||
Quartet | Julliard Quartet | | ||||
1900 | Piece in G Minor | |||||
Clarinet & Piano | Brillianer Duo | | ||||
1901 | From the Steeples and the Mountains (1901) | |||||
Orchestra | Metzmacher, et al | | ||||
1901 | Largo for Violin and Piano (1901) | |||||
Violin & Piano | Hartog,Elibay | | ||||
1901 | Psalm 24 (1901, 1912–13) | |||||
Choir | BBC Singers | | ||||
1901 | Psalm 25 (1901, 1912–13) | |||||
Choir | BBC Singers | | ||||
1902 | Symphony No. 1 in D minor (1898-1902) | |||||
I. Allegro con moto | Dudamel, et al | | ||||
II. Adagio molto. Sostenuto | Dudamel, et al | | ||||
III. Scherzo vivace | Dudamel, et al | | ||||
IV. Allegro molto | Dudamel, et al | | ||||
1902 | Three Harvest Home Chorales (c1902, c1912-15) | |||||
Chorus & Organ | Shaw, et al | | ||||
1902 | Psalm 14 (1902, 1912–13) | |||||
Choir | BBC Singers | | ||||
1902 | Psalm 54 (1902) | |||||
Choir | BBC Singers | | ||||
1902 | Psalm 100 (1902) | |||||
Choir | BBC Singers | | ||||
1902 | Psalm 135 (1902, 1912–13) | |||||
Choir | BBC Singers | | ||||
1903 | Country Band March ((Sketched 1903), rev. 1912, inc. - used in "Putnam's Camp") | |||||
Band | US Marine Band | | ||||
1903 | Fugue in Four Keys on The Shining Shore (1903?, inc.) | |||||
Orchestra | Slatkin, et al | | ||||
1903 | "Adeste Fideles" in an Organ Prelude (c1903) | |||||
Organ | Quinn | | ||||
1904 | Scherzo for String Quartet (1904) | |||||
Quartet | Signum Quartet | | ||||
1905 | Three Page Sonata (1905) | |||||
Piano | Christof & Steffen Schleiermacher | | ||||
1906 | Central Park in the Dark (1906, rev. 1936) | |||||
Orchestra | Bernstein, et al | | ||||
1907 | Trio for Violin, Violoncello, and Piano (1907, rev. 1915) | |||||
Vn & Vcl & Pft | Gagnon-Lafrenais, Evans, Chapman | | ||||
1907 | Study No. 6: Andante (1907-1909) | |||||
Piano | Berman | | ||||
1907 | Study No. 7: Andante cantabile (1907) | |||||
Piano | Berman | | ||||
1907 | Study No. 8: Trio (Allegro moderato-Presto) (1907) | |||||
Piano | Berman | | ||||
1907 | Study No. 9: The Anti-Abolitionist Riots in the 1830s and 1840s | |||||
Piano | Berman | | ||||
1907 | Study No. 15: Allegro moderato (1907-1909; 1920s) | |||||
Piano | Berman | | ||||
1907 | Study No. 16: Andante cantabile (1907-1909; 1920s) | |||||
Piano | Berman | | ||||
1908 | The Unanswered Question (1908, rev. 1935) | |||||
Orchestra | Bernstein, et al | | ||||
1908 | Runaway Horse on Main Street (1908, inc.) | |||||
Bamd | US Marine Band | | ||||
1908 | Study No. 4: Allegro moderato (1908) | |||||
Piano | Berman | | ||||
1908 | Scherzo: All the Way Around and Back (1908) | |||||
Ensemble | Metzmacher, et al | | ||||
1909 | Piano Sonata No. 1 (1909) | |||||
I. Adagio con moto | MacGregor | | ||||
II. Verses | MacGregor | | ||||
III. Largo - Allegro - Largo | MacGregor | | ||||
IV. Allegro - presto | MacGregor | | ||||
V. Andante maestoso | MacGregor | | ||||
V. Andante maestoso | MacGregor | | ||||
1909 | Study No. 22: Andante maestoso-Allegro vivace (1909) | |||||
Piano | Berman | | ||||
1909 | Set of Five Take-Offs (c1909) | |||||
Piano | Berman | | ||||
1910 | Symphony No. 2 (1897-1902, revised 1910) | |||||
I. Andante moderato | Dudamel, et al | | ||||
II. Allegro | Dudamel, et al | | ||||
III. Adagio cantabile | Dudamel, et al | | ||||
IV. Lento maestoso | Dudamel, et al | | ||||
V. Allegro molto vivace | Dudamel, et al | | ||||
1910 | The General Slocum (1910?, inc.) | |||||
Orchestra | Sinclair, et al | | ||||
1910 | Scherzo: Over the Pavements (1910) | |||||
Chamber Ensemble | Schuller, et al | | ||||
1910 | Study No. 20: March (Slow allegro or Fast andante) (1910, 1920s) | |||||
Piano | Berman | | ||||
1911 | Symphony No. 3: The Camp Meeting (1901-1904, rev. 1911) | |||||
I. Old Folks Gatherin' - Andante maestoso | Dudamel, et al | | ||||
II. Children's Day - Allegro moderato | Dudamel, et al | | ||||
III. Communion - Largo | Dudamel, et al | | ||||
1910 | Study No. 2: (1911) | |||||
Piano | Berman | | ||||
1911 | Emerson Overture for Piano and Orchestra or Emerson Concerto (1911–12) | |||||
Piano & Orchestra | Liu, Manson,et al | | ||||
1911 | The Gong on the Hook and Ladder (1911) | |||||
Orchestra | Bernstein, et al | | ||||
1911 | Four Ragtime Dances (?) | |||||
Orchestra | Nagy, et al | | ||||
1911 | Waltz-Rondo (1911) | |||||
Piano | Berman | | ||||
1912 | Set No. 1 (1912) | |||||
1. The See'r | Orpheus Chamber Or | | ||||
2. A Lecture (Tolerance) | Orpheus Chamber Or | | ||||
3. The Ruined River | Orpheus Chamber Or | | ||||
4. Like a Sick Eagle | Orpheus Chamber Or | | ||||
5. Calcium Light Night | Orpheus Chamber Or | | ||||
6. Allegretto Sombreoso | Orpheus Chamber Or | | ||||
1912 | Set No. 2 (1912) | |||||
1. Largo: The Indians | Metzmacher, et al | | ||||
2. "Gyp the Blood" or Hearst!? Which is Worst?! | Ensemble Modern | | ||||
3. Andante: The Last Reader | Bernas, et al | | ||||
1912 | Study No. 23: Allegro (1912-1914; 1920s) | |||||
Piano | Berman | | ||||
1913 | String Quartet No. 2 (1913) | |||||
Quartet | Ivani Quartet | | ||||
1914 | Robert Browning Overture (1914, rev. 1942) | |||||
Orchestra | Schermerhorn, et al | | ||||
1914 | The Rainbow (1914) | |||||
Orchestra | Farberman, et al | | ||||
1914 | Violin Sonata No. 3 (1914?) | |||||
Violin & Piano | Thompson, Waters | | ||||
1914 | Hallowe'en (1914) | |||||
Orchestra | Bernstein, et al | | ||||
1915 | Set for Theatre Orchestra (1915) | |||||
Chamber Ensemble | Orpheus Chamber Or | | ||||
1915 | Tone Roads et al. (1915?) | |||||
Incomplete | ||||||
Tone Roads #1 | Metzmacher, et al | | ||||
Tone Roads #3 | Metzmacher, et al | | ||||
1915 | Piano Sonata No. 2 (Concord) (1915) | |||||
Piano | Lonquich | | ||||
1916 | Symphony No. 4 (1916) | |||||
I. Prelude. Maestoso | Dudamel, et al | | ||||
II. Comedy - Allegretto | Dudamel, et al | | ||||
III. Fugue. Andante moderato | Dudamel, et al | | ||||
IV. Finale. Very slowly - Largo maestoso | Dudamel, et al | | ||||
1916 | Three Places in New England (1912–16, revised 1929) | |||||
I. The St. Gaudens in Boston Common | Tilson-Thomas, et al | | ||||
II. Putnam's Camp, Redding, Connecticut | Tilson-Thomas, et al | | ||||
III. Husatonic at Stockbridge | Tilson-Thomas, et al | | ||||
1916 | Violin Sonata No. 4: Children's Day at the Camp Meeting (1916) | |||||
Violin & Piano | Pontremoli, Kobylarz | | ||||
1916 | In Re Con Moto et al. (1916) | |||||
Quintet | Seltzer, et al | | ||||
1917 | Set No. 3 (1917) | |||||
Chamber Ensemble | ||||||
1. At Sea | Metzmacher, et al | | ||||
2. Luck and Work | Bernas, et al | | ||||
3. Premonitions | Bernas, et al | | ||||
Voice & Piano | ||||||
1. At Sea | Sylvan, et al | | ||||
2. Luck and Work | Sylvan, et al | | ||||
3. Premonitions | Sylvan, et al | | ||||
1917 | Violin Sonata No. 1 (1917?) | |||||
Violin & Piano | Jackiw, Denk | | ||||
1917 | Violin Sonata No. 2 (1917?) | |||||
Violin & Piano | Hahn, Lisistsa | | ||||
1918 | Study No. 21: Some Southpaw Pitching (1918-19) | |||||
Piano | Lively | | ||||
1918 | Study No. 5: Moderato con anima (1913) | |||||
Piano | Berman | | ||||
1919 | A Symphony (#5): New England Holidays (1919) | |||||
I. George Washington's Birthday | Tildon Thomas, et al | | ||||
II. Decoration Day | Tildon Thomas, et al | | ||||
III. Fourth of July | Tildon Thomas, et al | | ||||
IV. Thanksgiving / Forefathers' Day | Tildon Thomas, et al | | ||||
1919 | Orchestral Set No. 2 (1909–19) | |||||
1. An Elegy to our Forefathers | von Dohnányi, et al | | ||||
2. The Rockstrewn Hills | von Dohnányi, et al | | ||||
3. From Hanover Square North | Stokowski, et al | | ||||
1920 | Study No. 27: Chromâtimelôdtune | |||||
Orchestra | Bernstein, et al | | ||||
1920 | Varied Air and Variations (1920-2) | |||||
Piano | Berman | | ||||
1922 | The Celestial Railroad (c1922-5) | |||||
Piano | Berman | | ||||
1923 | Chromâtimelôdtune (1923?) | |||||
Orchestra | Bernstein., et al | | ||||
1923 | Psalm 90 (1923–24) | |||||
Ensemble | Hughes, et al | | ||||
1954 | Universe Symphony (#6) (1928, unfinished) | |||||
Austin Edition | Austin, et al | | ||||
. . . I. "Past: Formation of the waters and mountains" | ||||||
. . . II. "Present: Earth, evolution in nature and humanity" | ||||||
. . . III. "Future: Heaven, the rise of all to the Spiritual". | ||||||
Reinhard Edition | Reinhard, et al | | ||||