Symphony list v1.4 23 September 2023
Symphonies of Edward Schaffer composed starting in 2006
Symphonies of Edward Schaffer composed starting in 2006
Title | Link | … | Duration | … | Comment/Note | |
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Symphony #1, Sinfonietta, Op 25 | … | … | I wanted to prove I could write a Symphony, and I did. | |||
__ I. Allegro rondo | Link | ___ | | ___ | ||
__II. Andante cantabile | Link | ___ | ___ | |||
__III. Scherzo | Link | ___ | | ___ | ||
__ IV. Allegro risoluto | Link | ___ | | ___ | ||
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Symphony #2,Four Seasons, Op 45 | … | … | Seasons of the year | |||
__ I. Autumn | Link | ___ | | ___ | ||
__II. Winter | Link | ___ | | ___ | ||
__ III. Spring | Link | ___ | | ___ | ||
__ IV. Summer | Link | ___ | | ___ | ||
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Symphony #3, Op 53 | … | … | Working on how to write a symphony | |||
__ I. Allegro rondo | Link | ___ | | ___ | ||
__II. Lento | Link | ___ | | ___ | ||
__ III. Scherzo | Link | ___ | | ___ | ||
__ IV. Allegro risoluto | Link | ___ | | ___ | ||
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Symphony #4, Heliocentric, Op 57 | … | … | Pioneers of Astronomy | |||
__ I. Nikolas Copernicus | Link | ___ | | ___ | ||
__II. Johannes Kepler | Link | ___ | | ___ | ||
__ III. Galileo Galilei | Link | ___ | | ___ | ||
__ IV. Isaac Newton | Link | ___ | | ___ | ||
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Symphony #5, Op 61 | … | … | Further work on the art of symphony writing. Scherzo added later | |||
__ I. Allegro-andante | Link | ___ | | ___ | ||
__II. Adagio | Link | ___ | | ___ | ||
__ III. Scherzo | Link | ___ | | ___ | ||
__ IV. Fantasia Anglese | Link | ___ | | ___ | ||
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Symphony #6, Trevails, Op 81 | … | … | Trevails of Life | |||
__ I. To Overcome Frustration | Link | ___ | | ___ | ||
__II. Hymn & Celebration | Link | ___ | | ___ | ||
__ III. Scherzotic Chaos | Link | ___ | | ___ | ||
__ IV. The Future is Uncertain | Link | ___ | | ___ | ||
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Symphony #7, The Elements of Aristotle, Op 85 | … | … | Aristotle had four elements - I set them to music | |||
__ I. Canzone d'aria | Link | ___ | | ___ | ||
__II. Canzone di terra | Link | ___ | | ___ | ||
__ III.Canto del fuoco | Link | ___ | | ___ | ||
__ IV. Canzone di acqua | Link | ___ | | ___ | ||
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Symphony #8, Temperaments, Op 128 | … | … | Subject also handled musically by Carl Nielsen and Paul Hindemith based on the writings of Carl Jung | |||
__ I. Cholerict | Link | ___ | | ___ | ||
__ II. Phlegmatic | Link | ___ | | ___ | ||
__ III. Melancholic | Link | ___ | | ___ | ||
__ IV. Sanguine | Link | ___ | | ___ | ||
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Symphony #9, Clouds, Op 186 | … | … | Clouds in the Sky | |||
__ I. Cumulus | Link | ___ | | ___ | ||
__ II. Stratus | Link | ___ | | ___ | ||
__ III. Nimbus | Link | ___ | | ___ | ||
__ IV. Cirrus | Link | ___ | | ___ | ||
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Symphony #10,The Desert, Op 200 | … | … | The Desert east of Los Angeles, California | |||
__ I. Across an Endless Sea of Sand | Link | ___ | | ___ | ||
__ II. Song of the Night | Link | ___ | | ___ | ||
__ III. The Power of Wind | Link | ___ | | ___ | ||
__ IV. Mirage on the Distant Horizon | Link | ___ | | ___ | ||
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Symphony #11, In Medieval Times, Op 204 | … | … | Only 3 movements | |||
__ I. Procession | Link | ___ | | ___ | ||
__ II. Ferver | Link | ___ | | ___ | ||
__ III. Easter | Link | ___ | | ___ | ||
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Symphony #12, Op 207 | … | … | No subtitle | |||
__ I. Rondo | Link | ___ | | ___ | ||
__ II. Nocturnesque | Link | ___ | | ___ | ||
__ III.Scherzo | Link | ___ | | ___ | ||
__ IV. Allegro risoluto | Link | ___ | | ___ | ||
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Symphony #13, Op 209 | … | … | No subtitle | |||
__ I. Allegro andante allegro | Link | ___ | | ___ | ||
__ II. Cantabile | Link | ___ | | ___ | ||
__ III. Scherzo | Link | ___ | | ___ | ||
__ IV. Allegro risoluto | Link | ___ | | ___ | ||
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Symphony #14, The Universe in Youth, Op 222 | … | … | In the Beginning …. | |||
__ I. God Makes the Big Bang ... | Link | ___ | | ___ | ||
__ II. Eternal Darkness Primordial… | Link | ___ | | ___ | ||
__ III. Expansion … Speed of Light | Link | ___ | | ___ | ||
__ IV. Hydrogen Condenses | Link | ___ | | ___ | ||
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Symphony #15, Winter Solstice, Op 227 | … | … | 12 - 21 - 2010 | |||
__ I. Morning | Link | ___ | | ___ | ||
__ II. Afternoon | Link | ___ | | ___ | ||
__ III. Twilight | Link | ___ | | ___ | ||
__ IV. Lunar Eclipse at Midnight | Link | ___ | | ___ | ||
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Symphony #16, Bering Land Bridge, Op 228 | … | … | The Land Bridge across the bering | |||
__ I. Elders Meet ... | Link | ___ | | ___ | ||
__ II. Paen to the Rising Sun... | Link | ___ | | ___ | ||
__ III. The Mammoth Hunt | Link | ___ | | ___ | ||
__ IV. Dry Passage South ... | Link | ___ | | ___ | ||
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Symphony #17, Op 229 | … | … | No title | |||
__ I. Entrada | Link | ___ | | ___ | ||
__ II. Andante | Link | ___ | | ___ | ||
__ III. Scherzo | Link | ___ | | ___ | ||
__ IV. Allegro risoluto | Link | ___ | | ___ | ||
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Symphony #18, Atmospheres, Op 230 | … | … | The air going up | |||
__ I. Trophosphere | Link | ___ | | ___ | ||
__ II. Stratosphere | Link | ___ | | ___ | ||
__ III. Meteor Shower | Link | ___ | | ___ | ||
__ IV. Ionosphere | Link | ___ | | ___ | ||
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Symphony #19, Rustic, Op 231 | … | … | A symphony of farming | |||
__ I. Pastorale - The Open Plains | Link | ___ | | ___ | ||
__ II. Nocturne - The Full Moon | Link | ___ | | ___ | ||
__ III. Dance - In the Barn | Link | ___ | | ___ | ||
__ IV. The Fields at Harvest | Link | ___ | | ___ | ||
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Symphony #20, Dimensions, Op 233 | … | … | Space & Time | |||
__ I. Dimension X | Link | ___ | | ___ | ||
__ II. Dimension Y | Link | ___ | | ___ | ||
__ III. Dimension Z | Link | ___ | | ___ | ||
__ IV. Dimension Time | Link | ___ | | ___ | ||
__ V. Dimension Multiverse | Link | ___ | | ___ | ||
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Symphony #21, Fateful Day - 9-11-2001, Op 235 | … | … | A day that will live in all our memories | |||
__ I. An Apparently Normal Morning | Link | ___ | | ___ | ||
__ II. Fate and where One Was | Link | ___ | | ___ | ||
__ III. In the Presence of the 19 Demons | Link | ___ | | ___ | ||
__ IV. The Souls of the Fallen | Link | ___ | | ___ | ||
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Symphony #22, Op 236 | … | … | No title | |||
__ I. Furioso e andante | Link | ___ | | ___ | ||
__ II. Nocturne | Link | ___ | | ___ | ||
__ III. Scherzo | Link | ___ | | ___ | ||
__ IV. Lento | Link | ___ | | ___ | ||
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Symphony #23, The C's, Op 240 | … | … | All movements begin with Cs | |||
__ I. Contrasts | Link | ___ | | ___ | ||
__ II. Confluences | Link | ___ | | ___ | ||
__ III. Conflict | Link | ___ | | ___ | ||
__ IV. Conclusion | Link | ___ | | ___ | ||
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Symphony #24, Paleozoic, Op 254 | … | … | Life explodes and evolves | |||
__ I. Cambrian Trilobite Ballet | Link | ___ | | ___ | ||
__ II. Icthyostega Prowls Devonian Beach t | Link | ___ | | ___ | ||
__ III. Meganeura Carboniferous Swamp | Link | ___ | | ___ | ||
__ IV. Permian Mass Extinction | Link | ___ | | ___ | ||
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Symphony #25, Op 258 | … | … | No title | |||
__ I. Rondo | Link | ___ | | ___ | ||
__ II. Andante maestoso | Link | ___ | | ___ | ||
__ III. Tempo da valse | Link | ___ | | ___ | ||
__ IV. Alla marcia e intermezzo | Link | ___ | | ___ | ||
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Symphony #26, Modern Times, Op 259 | … | … | Times are Serious | |||
__ I. Entrada | Link | ___ | | ___ | ||
__ II. Hope Lost - Despair - Dirge | Link | ___ | | ___ | ||
__ III. Blissful Ignorance - Uncertainty - Panic | Link | ___ | | ___ | ||
__ IV. Prayer - For in the End - There is God | Link | ___ | | ___ | ||
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Symphony #27, George Orwell, Op 363 | … | … | The man who was an advocate against totalitarianism | |||
__ I. All Animals Are Equal… | Link | ___ | | ___ | ||
__ II. Liberty Means… | Link | ___ | | ___ | ||
__ III. To See What is in Front... | Link | ___ | | ___ | ||
__ IV. Men Can Only Be Happy… | Link | ___ | | ___ | ||
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Symphony #28, Dreams & Nightmares, Op 265 | … | … | Otherworldly Sleep | |||
__ I. In the Mists | Link | ___ | | ___ | ||
__ II. On the Infinite Horizon | Link | ___ | | ___ | ||
__ III. Under the Dark Sun | Link | ___ | | ___ | ||
__ IV. Between Parallel Universes | Link | ___ | | ___ | ||
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Symphony #29, Op 267 | … | … | Words | |||
__ I. Entrada | Link | ___ | | ___ | ||
__ II. Cantabile | Link | ___ | | ___ | ||
__ III. Rapido movimento e forza lento | Link | ___ | | ___ | ||
__ IV. Grave e serioso | Link | ___ | | ___ | ||
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Symphony #30, Op 268 | … | … | No titles | |||
__ 1. Allegeretto | Link | ___ | | ___ | ||
__ II. Adagio | Link | ___ | | ___ | ||
__ III. Scherzo | Link | ___ | | ___ | ||
__ IV. Risoluto | Link | ___ | | ___ | ||
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Symphony #33, Op 272 | … | … | No titles | |||
__ I. Lento cantabile | Link | ___ | | ___ | ||
__ II. Valse immaginario | Link | ___ | | ___ | ||
__ III. Scherzo diabolique | Link | ___ | | ___ | ||
__ IV. Allegretto persistante e non renunciare | Link | ___ | | ___ | ||
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Symphony #34, Op 274 | … | … | No titles | |||
__ I. Allegro moderato con coda pacifico | Link | ___ | | ___ | ||
__ II. Largo pastorale | Link | ___ | | ___ | ||
__ III. Movimento andando da qualche parte | Link | ___ | | ___ | ||
__ IV. Risoluto e persistante | Link | ___ | | ___ | ||
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Symphony #36, The Portal, Op 278 | … | … | In a Parallel Universe | |||
__ I. Entering the Vastness | Link | ___ | | ___ | ||
__ II. In Search of the Wormhole | Link | ___ | | ___ | ||
__ III. Bliss in a Parallel Universe | Link | ___ | | ___ | ||
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Symphony #37, Welsh, Op 280 | … | … | Welsh inspired with folk songs | |||
__ I. In the Marsh | Link | ___ | | ___ | ||
__ II. In the Night | Link | ___ | | ___ | ||
__ III. In the Ranks | Link | ___ | | ___ | ||
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Symphony #38, Op 281 | … | … | No title | |||
__ I. Entrada | Link | ___ | | ___ | ||
__ II. Lento non canto | Link | ___ | | ___ | ||
__ III. Vivace pastorale | Link | ___ | | ___ | ||
__ IV. Risoluto | Link | ___ | | ___ | ||
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Symphony #39, Op 283 | … | … | No title | |||
__ I. Adagietto | Link | ___ | | ___ | ||
__ II. Grave | Link | ___ | | ___ | ||
__ III. Vivace | Link | ___ | | ___ | ||
__ IV. Risoluzione e realizzazione | Link | ___ | | ___ | ||
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Symphony #40, Op 284 | … | … | No title | |||
__ I. Opening | Link | ___ | | ___ | ||
__ II. Night Thoughts | Link | ___ | | ___ | ||
__ III. In Motion | Link | ___ | | ___ | ||
__ IV. Seeking Tranquility | Link | ___ | | ___ | ||
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Symphony #41, Op 285 | … | … | No title | |||
__ I. Andante allegro andante | Link | ___ | | ___ | ||
__ II. Largo serioso | Link | ___ | | ___ | ||
__ III. Scherzo | Link | ___ | | ___ | ||
__ IV. Lento risoluto | Link | ___ | | ___ | ||
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Symphony #42, Op 288 | … | … | No title | |||
__ I. Entrada | Link | ___ | | ___ | ||
__ II. Mezzo tranquilo | Link | ___ | | ___ | ||
__ III. Movimento senza nome | Link | ___ | | ___ | ||
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Symphony #43, Op 300 | … | … | No title | |||
__ I. Forward | Link | ___ | | ___ | ||
__ II. Largo | Link | ___ | | ___ | ||
__ III. Scherzo | Link | ___ | | ___ | ||
__ IV. Finale | Link | ___ | | ___ | ||
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Symphony #44, Op 303 | … | … | No title | |||
__ I. Entrada | Link | ___ | | ___ | ||
__ II. Nocturna Londinium | Link | ___ | | ___ | Big Ben Chimes | |
__ III. Scherzo - IV. Conclusione | Link | ___ | | ___ | ||
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Symphony #45, Op 308 | … | … | No Title | |||
__ I. Allegro-andante-allegro | Link | ___ | | ___ | ||
__ II. Adagio persistante | Link | ___ | | ___ | ||
__ III. Moda notturno | Link | ___ | | ___ | ||
__ IV. Pensieri di Finitura | Link | ___ | | ___ | ||
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Symphony #46, Nimrod, Op 311 | … | … | Elgar never revealed what Enigma was a counter melody of during his lifetime | |||
… | … | I believe it was "En Feste Berg" from Bach and Luther | ||||
__ I. Adagio | Link | ___ | | ___ | ||
__ II. Movimento e quiete | Link | ___ | | ___ | ||
__ III. Nimrod presso la fortezza | Link | ___ | | ___ | ||
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Symphony #47, Op 319 | … | … | No title | |||
__ I. Opening | Link | ___ | | ___ | ||
__ II. Runnung resting running | Link | ___ | | ___ | ||
__ III. Dormant | Link | ___ | | ___ | ||
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Symphony #48, The Trees, Op 322 | … | … | Trees in a Forest | |||
__ I. Birds and Mammals in the Trees | Link | ___ | | ___ | ||
__ II. Thunderstorm - Fallen Tree | ||||||
__ - Lucky Beaver Finishes Dam | Link | ___ | | ___ | ||
__ III. The Spirit of Night In the Trees | Link | ___ | | ___ | ||
__ IV. The Colors of Autumn | Link | ___ | | ___ | ||
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Symphony #49, Scottish, Op 325 | … | … | With 3 Scottish songs incorporated | |||
__ In One Movement | Link | ___ | | ___ | ||
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Symphony #50, Op 326 | … | … | No title | |||
__ I. Introduction | Link | ___ | | ___ | ||
__ II. Adagio | Link | ___ | | ___ | ||
__ III. Scherzo | Link | ___ | | ___ | ||
__ IV. Risoluto | Link | ___ | | ___ | ||
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Symphony #51, Op 329 | … | … | No title | |||
__ I. Opening | Link | ___ | | ___ | ||
__ II. Il Prossimo | Link | ___ | | ___ | ||
__ III. Mare Tranquilitatis | Link | ___ | | ___ | ||
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Symphony #52, Interstellar Medium, Op 330 | … | … | As the Voyager Spacecraft leave the Solar System | |||
__ I. Heliosheath | Link | ___ | | ___ | ||
__ II. Proxima | Link | ___ | | ___ | ||
__ III. Exoplanet Gliese Life | Link | ___ | | ___ | ||
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Symphony #53, U F O, Op 334 | … | … | A Close Encounter | |||
__ I. They are Here | Link | ___ | | ___ | ||
__ II. Encounter at the Monolith | Link | ___ | | ___ | ||
__ III. Two Worlds Convene - Invocation to God | Link | ___ | | ___ | ||
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Symphony #54, Op 335 | … | … | No title | |||
__ Lento | Link | ___ | | ___ | ||
__ Moto mysterioso | Link | ___ | | ___ | ||
__ Sogni | Link | ___ | | ___ | ||
__ Progresso | Link | ___ | | ___ | ||
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Symphony #55, Op 336 | … | … | No title | |||
__ Introduction | Link | ___ | | ___ | ||
__ Medio stufato | Link | ___ | | ___ | ||
__ Finale | Link | ___ | | ___ | ||
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Symphony #56, Op 339 | … | … | No title | |||
__ Introduction | Link | ___ | | ___ | ||
__ Evening Song | Link | ___ | | ___ | ||
__ Morning Activity | Link | ___ | | ___ | ||
__ Afternoon Flows to Dusk | Link | ___ | | ___ | ||
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Symphony #57, Op 340 | … | … | No title | |||
__ Opening | Link | ___ | | ___ | ||
__ Graceful Moon | Link | ___ | | ___ | ||
__ Weather Inpatience | Link | ___ | | ___ | ||
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Symphony #58, Van Gogh, Op 343 | … | … | The Great Impressionist Painter | |||
__ The Potato Eaters | Link | ___ | | ___ | ||
__ Lilacs | Link | ___ | | ___ | ||
__ Starry Night | Link | ___ | | ___ | ||
__ Wheat Fields With Crows | Link | ___ | | ___ | ||
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Symphony #59, Dinosaura, Op 344 | … | … | And a Meteor to the Yucatan Ended it All | |||
__ Diplodocus | Link | ___ | | ___ | ||
__ Stegosaurus | Link | ___ | | ___ | ||
__ Triceratops | Link | ___ | | ___ | ||
__ Tyrannosaurus rex | Link | ___ | | ___ | ||
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Symphony #60, Op 345 | … | … | No title | |||
__ I. Alla marcia | Link | ___ | | ___ | ||
__ II. Lento tranquilo | Link | ___ | | ___ | ||
__ III. Scherzo | Link | ___ | | ___ | ||
__ IV. Andantino risoluto | Link | ___ | | ___ | ||
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Symphony #61, Op 348 | … | … | No title | |||
__ I. Opening | Link | ___ | | ___ | ||
__ II. Largo | Link | ___ | | ___ | ||
__ III. Scherzo | Link | ___ | | ___ | ||
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Symphony #63, Op 350 | … | … | No title | |||
__ I. Starting Up | Link | ___ | | ___ | ||
__ II. Continuing | Link | ___ | | ___ | ||
__ III. Going Onward | Link | ___ | | ___ | ||
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Symphony #64, Op 351 | … | … | No title | |||
__ I. Andante mysterioso | Link | ___ | | ___ | ||
__ II. Furioso - III. Canto pacifico | Link | ___ | | ___ | ||
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Symphony #65, Op 352 | … | … | No title | |||
__ I. Motion Stillness Motion | Link | ___ | | ___ | ||
__ II. Quiet Discord Quiet | Link | ___ | | ___ | ||
__ III. Intermediary | Link | ___ | | ___ | ||
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Symphony #66, Op 353 | … | … | No title | |||
__ Movement I | Link | ___ | | ___ | ||
__ Movement II | Link | ___ | | ___ | ||
__ Movement III | Link | ___ | | ___ | ||
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Symphony #70, Op 359 | … | … | No title | |||
__ I. Entrada | Link | ___ | | ___ | ||
__ II. Lento tranquilo | Link | ___ | | ___ | ||
__ III. Scherzo | Link | ___ | | ___ | ||
__ IV. Finale | Link | ___ | | ___ | ||
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Symphony #71, Op 360 | … | … | No title | |||
__ I. Opening | Link | ___ | | ___ | ||
__ II. Largo pastorale | Link | ___ | | ___ | ||
__ III. Scherzo | Link | ___ | | ___ | ||
__ IV. Finale | Link | ___ | | ___ | ||
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Symphony #72, Op 361 | … | … | No title | |||
__ I. Modo indefinito | Link | ___ | | ___ | ||
__ II. Adagio persistante | Link | ___ | | ___ | ||
__ III. Scherzo e notturno | Link | ___ | | ___ | ||
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Symphony #73, Op 364 | … | … | No title | |||
__ I. Nebulous Clouds of Orion's Sword | Link | ___ | | ___ | ||
__ II. John F Piper has a Seance for John Cage | Link | ___ | | ___ | ||
__ III. Tee bee dee | Link | ___ | | ___ | ||
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Symphony #74, Notre Dame Fire, Op 365 | … | … | It happened in Paris. Who did it? | |||
__ I. Mediae Pacificae | Link | ___ | | ___ | ||
__ II. The Weeping of Perotinus' Ghost | Link | ___ | | ___ | ||
__ III. Largo melancólico | Link | ___ | | ___ | ||
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Symphony #75, Mutants, Op 367 | … | … | Mutants / Zombies are Everywhere | |||
__ I. Building the Fortress | Link | ___ | | ___ | ||
__ II. Mutants Coming Over the Ridges | Link | ___ | | ___ | ||
__ III. Smell of Microwaved Mutants | Link | ___ | | ___ | ||
__ IV. Make Sure They've Expired - No Buzzards Made Ill | Link | ___ | | ___ | ||
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Symphony #Symphony #78, Op 370 | … | … | No title | |||
__ I. Preludio | Link | ___ | | ___ | ||
__ II. Notturno | Link | ___ | | ___ | ||
__ III. Scherzo | Link | ___ | | ___ | ||
__ IV. Largo cantabile | Link | ___ | | ___ | ||
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Symphony #79, Op 371 | … | … | No title | |||
__ I. Pervasive Pictures | Link | ___ | | ___ | ||
__ II. Floating Sonorities | Link | ___ | | ___ | ||
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Symphony #80, Luna, Op 372 | … | … | Man and the Moon through the ages | |||
__ I. The Man Who Lit the Iron Age Night | Link | ___ | | ___ | ||
__ Fifty Years Ago - One Small Step | Link | ___ | | ___ | ||
__ III. Future Interstellar Base | Link | ___ | | ___ | ||
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Symphony #82, Viking, Op 375 | … | … | Even in Newfoundland | |||
__ I. Wedding Song | Link | ___ | | ___ | ||
__ II. Easter Song | Link | ___ | | ___ | ||
__ L'Anse aux Meadows | Link | ___ | | ___ | ||
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Symphony #83, Medieval Millenial - Perotinus' Vision, Op 376 | … | … | Perotinus the Grand | |||
__ In One Movement | Link | ___ | | ___ | ||
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Symphony #84, Ionian Mode, Op 377 | … | … | Modus I - aka Major | |||
__ I. Fortress | Link | ___ | | ___ | ||
__ II.Doun skye | Link | ___ | | ___ | ||
__ III. Shenandoah Joe | Link | ___ | | ___ | ||
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Symphony #85, Dorian Mode, Op 378 | … | … | Modus II | |||
__ I. Fortress | Link | ___ | | ___ | ||
__ II.Doun skye | Link | ___ | | ___ | ||
__ III. Shenandoah Joe | Link | ___ | | ___ | ||
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Symphony #86, Phrygian Mode, Op 379 | … | … | Modus III | |||
__ I. Fortress | Link | ___ | | ___ | ||
__ II. Doun Skye | Link | ___ | | ___ | ||
__ III. Shenandoah Joet | Link | ___ | | ___ | ||
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Symphony #89, Aeolian Mode, Op 382 | … | … | Mode VI - aka Minor | |||
__ I. Fortress | Link | ___ | | ___ | ||
__ II. Doun Skye | Link | ___ | | ___ | ||
__ III. Shenandoah Joe | Link | ___ | | ___ | ||
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Symphony #90, Locrian Mode, Op 383 | … | … | Mode VII | |||
__ I. Fortress | Link | ___ | | ___ | ||
__ II. Doun Skye | Link | ___ | | ___ | ||
__ III. Shenandoah Joe | Link | ___ | | ___ | ||
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Symphony #92, Op 385 | … | … | No title | |||
__ I. Allegretto | Link | ___ | | ___ | ||
__ II. Quasi-scherzo | Link | ___ | | ___ | ||
__ III. Moderato | Link | ___ | | ___ | ||
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Symphony #93, Ricera, Op 386 | … | … | Researching Music | |||
__ I. Entrada la ricera modale | Link | ___ | | ___ | ||
__ II. La ricera originale | Link | ___ | | ___ | ||
__ III. Alla ricerca di locrian | Link | ___ | | ___ | ||
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Symphony #94, Mars, Op 387 | … | … | Red planet | |||
__ I. Coprates Chasma | Link | ___ | | ___ | ||
__ II. Olympus Mons | Link | ___ | | ___ | ||
__ III. South Polar Dry Ice Cap | Link | ___ | | ___ | ||
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Symphony #95, Moods, Op 388 | … | … | Moody sym | |||
__ I. Dour | Link | ___ | | ___ | ||
__ II. Poet | Link | ___ | | ___ | ||
__ III. Misty | Link | ___ | | ___ | ||
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Symphony #96, Op 389 | … | … | No title | |||
__ I. First | Link | ___ | | ___ | ||
__ II. Second | Link | ___ | | ___ | ||
__ III. Third | Link | ___ | | ___ | ||
__ IV. Fourth | Link | ___ | | ___ | ||
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Symphony #97, Long Day, Op 390 | … | … | This Day is Long | |||
__ I. Dawn Breaks | Link | ___ | | ___ | ||
__ II. Peaceful Morning | Link | ___ | | ___ | ||
__ III. Lunch Hour | Link | ___ | | ___ | ||
__ IV. Day's End | Link | ___ | | ___ | ||
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Symphony #98, Music of the Spheres, Op 391 | … | … | Kepler's World | |||
__ I. Harmonia de luna | Link | ___ | | ___ | ||
__ II. Harmonia de terra | Link | ___ | | ___ | ||
__ III. Harmonia de martis | Link | ___ | | ___ | ||
__ IV. Harmonia de venus | Link | ___ | | ___ | ||
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Symphony #99, Op 390 | … | … | No title | |||
__ I. Andante - allegro spirito | Link | ___ | | ___ | ||
__ II. Lento sensitivo | Link | ___ | | ___ | ||
__ III. Scherzo diabolique | Link | ___ | | ___ | ||
__ IV. Spirito divino | Link | ___ | | ___ | ||
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Symphony #100, Milestone, Op 393 | … | … | True Milestone | |||
__ I. Largo prufundo | Link | ___ | | ___ | ||
__ II. Canto gentile | Link | ___ | | ___ | ||
__ III. Scherzo persistante | Link | ___ | | ___ | ||
__ IV. Spirito divino | Link | ___ | | ___ | ||
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Symphony #101, Op 396 | … | … | No title | |||
__ I. Andante | Link | ___ | | ___ | ||
__ II. Largo doriana | Link | ___ | | ___ | ||
__ III. Scherzo locriana | Link | ___ | | ___ | ||
__ IV. A partire dalle regioni inferiori | Link | ___ | | ___ | ||
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Symphony #102, Op 397 | … | … | No title | |||
__ I. Allegro andantinot | Link | ___ | | ___ | ||
__ II. Song | Link | ___ | | ___ | ||
__ III. Lo Staccato deve essere sconfitto | Link | ___ | | ___ | ||
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Symphony #103, Pluto, Op 398 | … | … | Planet robbed of status by IAU bureaucrats | |||
__ Arduous Long Journey | Link | ___ | | ___ | ||
__ Tombaugh Regio | Link | ___ | | ___ | ||
__ Charon Tidal Warmth | Link | ___ | | ___ | ||
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Symphony #104, Turkey Weekend, Op 399 | … | … | Birds must die | |||
__ I. Rainy Thanksgiving Morning | Link | ___ | | ___ | ||
__ II. The Rain Ends Just in Time for Black Friday | Link | ___ | | ___ | ||
__ III. Lento notturno pacifica | Link | ___ | | ___ | ||
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Symphony #105, Op 401 | … | … | No title | |||
__ I. Opening | Link | ___ | | ___ | ||
__ II. Nocturne and Alien Visit | Link | ___ | | ___ | ||
__ III. March Rest March | Link | ___ | | ___ | ||
__ IV. Evolving Sonorities | Link | ___ | | ___ | ||
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Symphony #106, The D's, Op 402 | … | … | All movements D | |||
__ I. Dilemma | Link | ___ | | ___ | ||
__ II. Directions | Link | ___ | | ___ | ||
__ III. Divergence | Link | ___ | | ___ | ||
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Symphony #107, For Strings, Op 403 | … | … | String symphony | |||
__ I. Lento | Link | ___ | | ___ | ||
__ II. Scherzo | Link | ___ | | ___ | ||
__ III. Resolved | Link | ___ | | ___ | ||
. | ||||||
Symphony #108, Op 404 | … | … | No title | |||
__ I. Inner Conflicts of the Instruments | Link | ___ | | ___ | ||
__ II. Pizzicato Provolone - Kinda Smoky | Link | ___ | | ___ | ||
__ III. Vers L'Horizon | Link | ___ | | ___ | ||
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Symphony #109, Op 405 | … | … | No title | |||
__ I. Largo allegreto largo | Link | ___ | | ___ | ||
__ II. Nix, the Maven of the night | Link | ___ | | ___ | ||
__ III. Winds in the Stillness | Link | ___ | | ___ | ||
__ IV. Dance of the Dawn | Link | ___ | | ___ | ||
. | ||||||
Symphony #110, Op 406 | … | … | Space again | |||
__ Entrada - Launch | Link | ___ | | ___ | ||
__ The call of the Vastness | Link | ___ | | ___ | ||
__ Exoplanets in conflict | Link | ___ | | ___ | ||
. | ||||||
Symphony #111, Primes, Op 410 | … | … | Primes are numbers unto themselves | |||
__ I. Three by Thirty-seven | Link | ___ | | ___ | ||
__ II. The Force of Primes | Link | ___ | | ___ | ||
__ III. Primal Scherzo | Link | ___ | | ___ | ||
__ IV. Opposing Primes | Link | ___ | | ___ | ||
. | ||||||
Symphony #112, Instrumental Politics, Op 411 | … | … | Politics is everywhere | |||
__ I. Pretentious Debate Followed by Calm | Link | ___ | | ___ | ||
__ II. Violinic Arbitration | Link | ___ | | ___ | ||
__ III. When Too Many Talk at Once No One's Understood | Link | ___ | | ___ | ||
. | ||||||
Symphony #113, Op 412 | … | … | More space - yes I like astronomy | |||
__ I. Evening Star | Link | ___ | | ___ | ||
__ II. Voices of the Cosmos | Link | ___ | | ___ | ||
__ III. Song About Infinity | Link | ___ | | ___ | ||
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Symphony #114, Op 413 | … | … | Misc | |||
__ I. Peaceful Meadow - Just Me and my Dog | Link | ___ | | ___ | ||
__ II. Dancing With the Nebulous Gas Illuminated by Trapezium | Link | ___ | | ___ | ||
. | ||||||
. | ||||||
Symphony #117, Frederick Edwin Church, Op 419 | … | … | American Artist 19th Century | |||
__ Cotopaxi II | Link | ___ | | ___ | ||
__ Aurora Borealis | Link | ___ | | ___ | ||
__ Niagara Falls | Link | ___ | | ___ | ||
__ Meteor 1860 | Link | ___ | | ___ | ||
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