Works By Ralph Vaughan Williams (1872-1958) UK
Source Classicsfm.com
Source Classicsfm.com
Year | . . | Title | Part | Title | Performer | Dur |
1895 | To daffodils, song | |||||
Voice & Piano | Staples | | ||||
1895 | Dirge for Fidele, duet | |||||
Voice & Piano | Johnson, Kenlyside | | ||||
1896 | Fantasia for piano and orchestra | |||||
Piano & Orchestra | Bebbington, Vass | | ||||
1896 | Three Elizabethan Songs , partsongs for chorus | |||||
1. Sweet Day | Quink Vocal Ensemble | | ||||
2. Willow Song | Quink Vocal Ensemble | | ||||
3. O Mistress Mine | Quink Vocal Ensemble | | ||||
1896 | Rondel, song | |||||
Voice & Piano | Staples | | ||||
1896 | "How can the tree but wither", song | |||||
Voice & Piano | Staples | | ||||
1896 | Claribel, song | |||||
Voice & Piano | R Williams | | ||||
1898 | Serenade in A minor | |||||
Orchestra | Yates, Royal Scot Or | | ||||
1898 | String Quartet in C minor | |||||
1. Allegro | Liepaja Qr | | ||||
2. Andantino | Liepaja Qr | | ||||
3. Intermezzo | Liepaja Qr | | ||||
4. Variazione con finale fugato | Liepaja Qr | | ||||
1898 | Quintet in D major for clarinet, horn, violin, cello, and piano | |||||
Quintet Ensemble | Ensemble | | ||||
1899 | The Garden of Proserpine, cantata for soprano, chorus & orchestra, setting of Algernon Charles Swinburne | |||||
Chorus & Orchestra | Handley, et al | | ||||
1899 | A Cambridge Mass, Missa brevis for SATB, double chorus & orchestra | |||||
Chorus & Orchestra | Paparozzi, et al | | ||||
1900 | Heroic Elegy and Triumphal Epilogue | |||||
1. Heroic Elegy | Wilson, BBC Con Or | | ||||
2. Triumphal Epilogue | Wilson, BBC Con Or | | ||||
1901 | Bucolic Suite | |||||
1. Allegro | Yates, et al | | ||||
2. Andante | Yates, et al | | ||||
3. Intermezzo - Allegretto | Yates, et al | | ||||
4. Finale - Allegro | Yates, et al | | ||||
1901 | Linden Lea, song | |||||
Chorus | Chr Somerville Coll | | ||||
1901 | Songs of Travel, song cycle for baritone and piano, setting texts by R. L. Stevenson | |||||
1. The Vagabond | Terfel, Martineau | | ||||
2. Let Beauty Awake | Terfel, Martineau | | ||||
3. The Roadside Fire | Terfel, Martineau | | ||||
4. Youth and Love | Terfel, Martineau | | ||||
5. Dreams | Terfel, Martineau | | ||||
6. The Infinite Shining Heavens | Terfel, Martineau | | ||||
7. Whither Must I Wander? | Terfel, Martineau | | ||||
8. Bright Is The Ring Of Words | Terfel, Martineau | | ||||
1902 | Burley Heath, impression for orchestra | |||||
Orchestra | Daniel, Royal Liverpool PO | | ||||
1902 | The Solent, impression for orchestra | |||||
Orchestra | Gamba, BBC Wales OR | | ||||
1902 | Rest, for SSATB unaccompanied | |||||
Chorus | N Texx Coll Music Chr | | ||||
1902 | Blackmwore by the Stour, song | |||||
Voice & Piano | R Williams | | ||||
1902 | Boy Johnny, song | |||||
Voice & Piano | R Williams | | ||||
1902 | "Whither Must I Wander", song | |||||
Voice & Piano | Terfel, Martineau | | ||||
1903 | Willow-Wood, Cantata for baritone, women's chorus and orchestra | |||||
Voices & Orchestra | Lloyd-Jones, et al | | ||||
1903 | "If I were a Queen", duet | |||||
Voice & Piano | S Fox | | ||||
1903 | "When I am dead, my dearest", song | |||||
Voice & Piano | S Fox | | ||||
1903 | "Tears, idle tears", song | |||||
Voice & Piano | R Williams | | ||||
1903 | The splendour falls, song | |||||
Voice & Piano | R Williams | | ||||
1903 | The Winter's Willow, song | |||||
Voice & Piano | R Williams | | ||||
1903 | Adieu, duet, translated from German by Arthur Foxton Ferguson | |||||
Voice & Piano | Whatley | | ||||
1903 | "Think of Me", duet, translated from German by Arthur Foxton Ferguson | |||||
Voice & Piano | Whatley | | ||||
1903 | Piano Quintet in C minor for violin, viola, cello, double bass and piano | |||||
Chamber | Schubert Ensemble | | ||||
1904 | In the Fen Country, for orchestra | |||||
Orchestra | Thompson, et al | | ||||
1904 | Harnham Down, impression for orchestra | |||||
Orchestra | Gamba, BBC Wales OR | | ||||
1904 | "Orpheus with his lute", song | |||||
Voice & Piano | Daniels, Katz | | ||||
1904 | The House of Life, six sonnets by Dante Gabriel Rossetti | |||||
1. Love Sight | Allen, Parsons | | ||||
2. Silent Noon | Allen, Parsons | | ||||
3. Love's Minstrels | Allen, Parsons | | ||||
4. Heart's Haven | Allen, Parsons | | ||||
5. Death in Love | Allen, Parsons | | ||||
6. Love's Last Gift | Allen, Parsons | | ||||
1904 | Two Vocal Duets, for soprano, baritone and violin with piano, setting texts by Walt Whitman | |||||
1. The Last Invocation | Vann, Gould | | ||||
2. Love Song of the Birds | Vann, Gould | | ||||
1906 | Norfolk Rhapsody No. 1, for orchestra | |||||
Orchestra | Hickox, LSO | | ||||
1906 | Norfolk Rhapsody No. 2, for orchestra | |||||
Orchestra | Hickox, LSO | | ||||
1906 | Toward the Unknown Region, song for chorus and orchestra, setting of Walt Whitman | |||||
Chorus & Orchestra | Temple, et al | | ||||
1906 | Original hymn tunes included in The English Hymnal | |||||
Organ & Choir | Hughes, et al | | ||||
Kingsfold only | Jantzi | | ||||
Kingsfold only | Kironde, Uganda church | | ||||
1906 | Dreamland, song, setting text by Christina Rossetti | |||||
Voice & Piano | Fox | | ||||
1908 | The Sky Above The Roof, song | |||||
Voice & Piano | Staples | | ||||
1908 | String Quartet No. 1 in G minor | |||||
1. Allegro moderato | Medici Quartet | | ||||
2. Menuet and Trio | Medici Quartet | | ||||
3. Romance | Medici Quartet | | ||||
4. Finale | Medici Quartet | | ||||
1909 | The Pilgrim's Progress , Opera | |||||
Prologue: Bunyan in Prison, "So I awoke, and behold it was a dream" | Noble, London PO et al | | ||||
Act 1 Scene 1: The Pilgrim meets Evangelist, "What shall I do?" | Noble, London PO et al | | ||||
Act 1 Scene 2: The House Beautiful, "Save me! Save me, Lord!" | Noble, London PO et al | | ||||
Act 1 Scene 2: Nocturne (Orchestral Intermezzo) , "Into Thy hands, O Lord, I commend my spirit" | Noble, London PO et al | | ||||
Act 2 Scene 1: The Arming of the Pilgrim, "This is the King`s Highway" | Noble, London PO et al | | ||||
Act 2 Scene 2: The Pilgrim meets Apollyon, "Whence come you?" | Noble, London PO et al | | ||||
Act 3 Scene 1: Vanity Fair, "Buy! What will ye buy?" | Noble, London PO et al | | ||||
Act 3 Scene 1: Vanity Fair, "I buy the truth!" | Noble, London PO et al | | ||||
Act 3 Scene 2: The Pilgrim in Prison, "My God, My God look upon me" | Noble, London PO et al | | ||||
Act 4 Scene 1: The Pilgrim meets Mister By-Ends, "He that is down need fear no fall" | Noble, London PO et al | | ||||
Act 4 Scene 1: Entracte (Orchestral Intermezzo) | Noble, London PO et al | | ||||
Act 4 Scene 2: The Shepherds of the Delectable Mountains,"Who so dwelleth under the defence" | Noble, London PO et al | | ||||
Act 4 Scene 2: The Shepherds of the Delectable Mountains, "The Lord is my Shepherd" | Noble, London PO et al | | ||||
Act 4 Scene 3: The Pilgrim reaches the End of his Journey, "Alleluia, Alleluia" | Noble, London PO et al | | ||||
Epilogue: "Now hearer, I have told my dream to thee" | Noble, London PO et al | | ||||
1909 | The Wasps , Incidental Music Suite | |||||
1. Overture in F Major | Boult, et al | | ||||
2. Entr'acte No. 1 | Seaman, Royal PO | | ||||
3. March Past the Kitchen Utensils | Seaman, Royal PO | | ||||
4. Entr'acte No. 2 | Boult, et al | | ||||
5. Ballet and final Tableau | Judd, et al | | ||||
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1909 | A Sea Symphony (#1) (Walt Whitman) | |||||
1. A song for all seas, all ships | Haitink, et al | | ||||
2. On the Beach - At Night, Alone | Haitink, et al | | ||||
3. The Waves | Haitink, et al | | ||||
4. The Explorers | Haitink, et al | | ||||
1909 | The truth sent from above arranged for Unaccompanied Chorus | |||||
Chorus | Genesis 16 | | ||||
1909 | On Wenlock Edge, song cycle | |||||
1. On Wenlock Edge | Arroyo, et al | | ||||
2. From Far, from Eve and Morning | Arroyo, et al | | ||||
3. Is My Team Ploughing | Arroyo, et al | | ||||
4. Oh, When I Was in Love with You | Arroyo, et al | | ||||
5. Bredon Hill (first line: In summertime on Bredon) | Arroyo, et al | | ||||
6. Clun (Housman's title, and the first line: Clunton and Clunbury) | Arroyo, et al | | ||||
1910 | Hugh the Drover, or Love in the Stocks , Opera | |||||
1924 Original Cast, abridged ( No more recent available) | Royal college of music | | ||||
1910 | Fantasia on a Theme by Thomas Tallis | |||||
Orchestra | Handley, et al | | ||||
Abridged Version used in "Master and Commander | Wordsworth, et al | | ||||
1911 | The Bacchae , Incidental Music | |||||
Orchestra & Singers | Tongue, et al | | ||||
1911 | Five Mystical Songs for baritone, chorus, and orchestra, settings of George Herbert | |||||
Orchestra & Baritone & Chorus | Hickox, et al | | ||||
1912 | Fantasia on Christmas Carols for baritone, chorus, and orchestra | |||||
Orchestra & Baritone & Chorus | Rutter, et al | | ||||
1912 | Phantasy Quintet for 2 violins, 2 violas, and cello | |||||
Quintet | Cuatro Puntos Ensemble | | ||||
1913 | The Death of Tintagiles , Incidental Music | |||||
Orchestra | Hickox, et al | | ||||
1913 | Incidental music to Shakespeare's plays , Incidental Music | |||||
Not Available | | |||||
1913 | A London Symphony (#2) | |||||
1. Moderato maestoso | Previn, et al | | ||||
2. Lento | Previn, et al | | ||||
3. Romanza | Previn, et al | | ||||
4. Andante con Moto | Previn, et al | | ||||
1913 | Five English Folk Songs freely arranged for Unaccompanied Chorus | |||||
1. Dark Eyed Sailor | London Madrigal Singers | | ||||
2. The Spring Time of the Year | London Madrigal Singers | | ||||
3. Just as the Tide was Flowing | London Madrigal Singers | | ||||
4. The Lover's Ghost (Well met, my own true love) | London Madrigal Singers | | ||||
5. Wassell Song | London Madrigal Singers | | ||||
1913 | Suite de Ballet for flute and piano | |||||
Flute & Piano | Vinci, Sung | | ||||
1914 | The Lark Ascending for violin and orchestra | |||||
Violin & Orchestra | Hahn, et al | | ||||
1914 | Four Hymns: | |||||
1. Lord! Come away | Partridge, et al | | ||||
2. Who is the Fair One | Partridge, et al | | ||||
3. Come Love, come Lord | Partridge, et al | | ||||
4. Evening Hymn, O gladsome Light | Partridge, et al | | ||||
1914 | Romance and Pastorale for violin and piano | |||||
Violin & Piano | Padmore, DiGiorgio | | ||||
1914 | Romance for viola and piano | |||||
Viola & Piano | Chase & Otaki | | ||||
1917 | English Folksong Suite | |||||
1. Seventeen Come Sunday | Marriner, et al | | ||||
2. My Bonny Boy | Marriner, et al | | ||||
3. Folksomgs from Somerset | Marriner, et al | | ||||
1920 | O clap your hands, motet for chorus and orchestra, text from Psalm 47 | |||||
Chorus & Orchestra | Louisville Collegiate Ch | | ||||
1920 | Three Preludes for Organ founded on Welsh hymn tunes | |||||
1. Bryn Califaria | G Olson | | ||||
2. Rhosymedre | G Olson | | ||||
3. Hyfrydol | G Olson | | ||||
1921 | A Pastoral Symphony (#3) | |||||
1. Molto moderato | Boult, et al | | ||||
2. Lento moderato | Boult, et al | | ||||
3. Moderato pesante | Boult, et al | | ||||
4. Lento - Moderato maestoso | Boult, et al | | ||||
1921 | Merciless Beauty (Chaucer) three rondels for tenor, two violins and cello | |||||
1. Your eyën two | Dilkes, Partridge, et al | | ||||
2. So hath your beauty | Dilkes, Partridge, et al | | ||||
3. Since I from love | Dilkes, Partridge, et al | | ||||
1921 | Suite of Six Short Pieces for piano | |||||
Piano | Bishop | | ||||
1921 | Prelude and Fugue in C minor for organ | |||||
Organ | Hicks | | ||||
1922 | "Ca' the yowes" for tenor and chorus | |||||
Chorus | Alexandria Choral Society | | ||||
1922 | Mass in G minor for unaccompanied choir | |||||
1. Kyrie | Edison, Elora Singers | | ||||
2. Gloria in excelsis | Edison, Elora Singers | | ||||
3. Credo | Edison, Elora Singers | | ||||
4. Benedictus - Osanna | Edison, Elora Singers | | ||||
5. Angus Dei | Edison, Elora Singers | | ||||
1922 | Four Poems by Fredegond Shove: for baritone and piano | |||||
1. Motion and Stillness | I & J Partrdige | | ||||
2. Four Nights | I & J Partrdige | | ||||
3. The New Ghost | I & J Partrdige | | ||||
4. The Water Mill | I & J Partrdige | | ||||
1923 | Old King Cole , Ballet Music | |||||
1. Prelude | Hickox, et al | | ||||
2. Pipe Dance | Hickox, et al | | ||||
3. Bowl Dance | Hickox, et al | | ||||
4. Morris Jig: 'Go and 'list for a sailor' | Hickox, et al | | ||||
5. A Bold Young Farmer | Hickox, et al | | ||||
6. The Jolly Thresherman | Hickox, et al | | ||||
7. Solo Jig | Hickox, et al | | ||||
1923 | English Folk Songs, Suite for military band | |||||
1. Seventeen Come Sunday | US Marine Band | | ||||
2. My Bonny Boy | US Marine Band | | ||||
3. Folksomgs from Somerset | US Marine Band | | ||||
1923 | Sea Songs, Quick march for military and brass bands | |||||
Military Band | Banks, Cent Band RAF | | ||||
1924 | Sir John in Love , Opera | |||||
Act I: Orchestral introduction - What hoa, what hoa! | Hickox, et al | | ||||
Act I: Ahem | Hickox, et al | | ||||
Act I: This Is my father's choice | Hickox, et al | | ||||
Act I: How now, what does Master Fenton here? | Hickox, et al | | ||||
Act I: Vere Is dat knave Rugby? | Hickox, et al | | ||||
Act I: Episode | Hickox, et al | | ||||
Act I: How now, mine Host of the Garter | Hickox, et al | | ||||
Act I: I spy entertainment in her | Hickox, et al | | ||||
Act I: Wilt thou revenge … ? | Hickox, et al | | ||||
Act I: Love my wife? I will be patient | Hickox, et al | | ||||
Act II Scene 1: Orchestral introduction | Hickox, et al | | ||||
Act II Scene 1: Thine own true knight - Sigh no more, ladies | Hickox, et al | | ||||
Act II Scene 2: Bardolph! Bardolph, I say! | Hickox, et al | | ||||
Act II Scene 2: Go thy ways, go thy ways, old Jack! | Hickox, et al | | ||||
Act II Scene 2: Sir, my name Is Brook | Hickox, et al | | ||||
Act II Scene 2: Ha, Is This a vision? | Hickox, et al | | ||||
Act III Scene 1: Interlude. Orchestral introduction - Yet hear me speak | Hickox, et al | | ||||
Act III Scene 1: Interlude. Fair and fair and twice so fair | Hickox, et al | | ||||
Act III Scene 1: Interlude. But listen, good mine Host | Hickox, et al | | ||||
Act III Scene 2: Orchestral introduction - When as we sat in Papylon | Hickox, et al | | ||||
Act III Scene 2: Yonder he's coming | Hickox, et al | | ||||
Act III Scene 2: Come, Master Ford | Hickox, et al | | ||||
Act III Scene 2: Orchestral introduction | Hickox, et al | | ||||
Act III Scene 3: What, John! What, Robert! (Greensleeves) | Hickox, et al | | ||||
Act III Scene 3: Mistress Ford! | Hickox, et al | | ||||
Act III Scene 3: Ah! | Hickox, et al | | ||||
Act IV: Orchestral introduction | Hickox, et al | | ||||
Act IV Scene 1: : Pardon me, wife | Hickox, et al | | ||||
Act IV Scene 1: (Interlude - Greensleeves) | Hickox, et al | | ||||
Act IV Scene 2: Orchestral introduction | Hickox, et al | | ||||
Act IV Scene 2: The Windsor bell hath struck twelve | Hickox, et al | | ||||
Act IV Scene 2: Ah –...- Who comes here? | Hickox, et al | | ||||
Act IV Scene 2: But till 'tis one o'clock | Hickox, et al | | ||||
Act IV Scene 2: Dance of the Fairies | Hickox, et al | | ||||
Act IV Scene 2: But stay! I smell a man of middle earth | Hickox, et al | | ||||
Act IV Scene 2: Nay, do not fly | Hickox, et al | | ||||
Act IV Scene 2: My heart misgives me | Hickox, et al | | ||||
Act IV Scene 2: Stand not amazed | Hickox, et al | | ||||
1924 | Concerto Accademico for violin and string orchestra | |||||
1. Allegro pesante | Waley-Cohen, Curtis, et al | | ||||
2. Adagio - Tranquillo | Waley-Cohen, Curtis, et al | | ||||
3. Presto | Waley-Cohen, Curtis, et al | | ||||
1924 | Toccata Marziale for military band | |||||
Military Band | US Marines Band | | ||||
1925 | Riders to the Sea , Opera | |||||
1. Where Is She? | Hickox, et al | | ||||
2. Isn't It Turf Enough You Have for This Day and Evening? | Hickox, et al | | ||||
3. Where Is the Bit of New Rope, Cathleen | Hickox, et al | | ||||
4. He's Gone Now, God Spare Us | Hickox, et al | | ||||
5. Wait, Nora, Maybe She'd Turn Back Quickly | Hickox, et al | | ||||
6. You Didn't Give Him His Bit of Bread? | Hickox, et al | | ||||
7. Went Down to the Spring Well | Hickox, et al | | ||||
8. Bartley Will Be Lost Now | Hickox, et al | | ||||
9. They Are All Gone Now | Hickox, et al | | ||||
10. And May He Have Mercy on My Soul | Hickox, et al | | ||||
1925 | Flos Campi for viola, wordless chorus, and small orchestra | |||||
Orchestra & Chorus | Del Mar, et al | | ||||
1925 | Sancta Civitas | |||||
Voices, Orchestra | Hill, et al | | ||||
1925 | Two Poems by Seumas O'Sullivan | |||||
1. The Twilight People | Williams, Vann | | ||||
2. A Piper | Williams, Vann | | ||||
1925 | Three Songs from Shakespeare | |||||
1. Take, O Take Those Lips Away | Whatley, Vann | | ||||
2. When Icicles Hang on the Wall | Whatley, Vann | | ||||
3. Orpheus and hid lute | Whatley, Vann | | ||||
1925 | Three Poems by Walt Whitman for baritone and piano | |||||
1. Nocturne | Williams, Burnside | | ||||
2. A Clear Midnight | Williams, Burnside | | ||||
3. Joy, Shipmate, Joy! | Williams, Burnside | | ||||
1926 | On Christmas Night , Ballet Music | |||||
1. Prelude: God rest you merry | Hickox, et al | | ||||
2. Marley's Ghost | Hickox, et al | | ||||
3. The Spirit of Christmas | Hickox, et al | | ||||
4. Fezziwig's Christmas Party | Hickox, et al | | ||||
5. Fezziwig's Parlour | Hickox, et al | | ||||
6. Morris jig | Hickox, et al | | ||||
7. The Triumph | Hickox, et al | | ||||
8. Roger de Coverley | Hickox, et al | | ||||
9. Midnight | Hickox, et al | | ||||
10. A procession | Hickox, et al | | ||||
11. Victorian Drawing Room | Hickox, et al | | ||||
12. Bob Cratchit's Christmas Party | Hickox, et al | | ||||
13. Bob Cratchit's Toast | Hickox, et al | | ||||
14. Black Nag | Hickox, et al | | ||||
15. Procession of the Nativity | Hickox, et al | | ||||
1926 | Piano Concerto in C major | |||||
1. Toccata - Allegro moderato | Shelley, Handley, et al | | ||||
2. Romanza - Lento | Shelley, Handley, et al | | ||||
3. Fuga chromatica Con Finale alla Tedesca | Shelley, Handley, et al | | ||||
1926 | Six Studies in English Folk Song, for cello | |||||
Cello & Piano | Moore & Waters | | ||||
1927 | The Poisoned Kiss, or The Empress and the Necromancer , Opera | |||||
Overture | Hickox. et al | | ||||
Excerpts | Handford, et al | | ||||
1927 | Along the Field, for tenor and violin, setting texts by A. E. Housman | |||||
Voice & Violin | Thompaon, Auer | | ||||
1928 | Te Deum in G major | |||||
Organ & Chorus | Chr of St. Ignatius of Antioch Church | | ||||
1928 | Original tunes included in Oxford Book of Carols | |||||
Organ & Chorus | Court, Hughes, et al | | ||||
1929 | Fantasia on Sussex Folk Tunes | |||||
Cello & Orchestra | Rummel, Steffens | | ||||
1929 | Benedicite for soprano, chorus, and orchestra | |||||
Chorus & Orchestra | Hill, et al | | ||||
1929 | Three Choral Hymns | |||||
1. Easter Hymn | Brown, et al | | ||||
2. Christmas Hymn | Brown, et al | | ||||
3. Whitsunday Hymn (Pentecost) | Brown, et al | | ||||
1930 | Job: A Masque for Dancing , Ballet Music | |||||
Scenes I to IV | Hickox, et al | | ||||
Scenes V to IX | Hickox, et al | | ||||
1930 | The Voice out of the Whirlwind, Incidental Music | |||||
Choral | Clare Coll Choir | | ||||
1930 | Hymn Tune Prelude on 'Song 13' by Orlando Gibbons for piano | |||||
Piano | Burnside | | ||||
1931 | In Windsor Forest, Cantata for chorus and orchestra, adapted from Sir John in Love , Opera | |||||
Chorus & Orchestra | Del Mar, et al | | ||||
1932 | Magnificat for contralto, women's chorus, and orchestra | |||||
Chorus, Soloists & Orchestra | Cadario, et al | | ||||
1933 | The Running Set , Ballet Music | |||||
Orchestra | Del Mar, et al | | ||||
1933 | Overture: Henry V for brass band | |||||
Brass Band | Parkes, et al | | ||||
1934 | Symphony in F minor (#4) | |||||
1. Allegro | Berglund, Royal P O | | ||||
2. Andante moderato | Berglund, Royal P O | | ||||
3. Scherzo - Allegro molto | Berglund, Royal P O | | ||||
4. Finale (Allegro molto) | Berglund, Royal P O | | ||||
1934 | Fantasia on "Greensleeves" | |||||
String Orchestra | Boult, et al | | ||||
Orchestra | Manze, et al | | ||||
1934 | Suite for Viola and Small Orchestra | |||||
Orchestra | Riddle, Del Mar, et al | | ||||
1934 | O How Amiable | |||||
Chorus | Elora, et al | | ||||
1934 | Six Teaching Pieces for piano | |||||
1. Valse Lente  | Barton | | ||||
2. Nocturne | Chan | | ||||
3. Canon  | Chan | | ||||
4. Two-part Invention in F Â | Chan | | ||||
5. Two-part Invention in E-flat  | Chan | | ||||
6. Two-part Invention in GÂ | Chan | | ||||
1936 | Two Hymn Tune Preludes | |||||
1. Eventide. Lento sostenuto (G major) | Thompson, et al | | ||||
2. Dominus regit me. Andante con moto (Bâ™Â major) | Thompson, et al | | ||||
1936 | Five Tudor Portraits for contralto, baritone, chorus, and orchestra | |||||
1. Ballad - The Tunning of Elinor Rumming | Steinberg, Pittsb SO, et al | | ||||
2. My Pretty Bess | Steinberg, Pittsb SO, et al | | ||||
3. Burlesca - Epitaph On John Jayberd of Diss | Steinberg, Pittsb SO, et al | | ||||
4. Romanza - Jane Scroop | Steinberg, Pittsb SO, et al | | ||||
5. Scherzo - Jolly Rutterkin | Steinberg, Pittsb SO, et al | | ||||
1936 | Dona nobis pacem, text by Walt Whitman and other sources | |||||
1. Angus Dei | Cleobury, et al | | ||||
2. Beat! Beat! Drums! | Cleobury, et al | | ||||
3. Reconciliation | Cleobury, et al | | ||||
4. Dirge for two Veterans | Cleobury, et al | | ||||
5. The Angel of Death Has Been Abroad | Cleobury, et al | | ||||
6. O Man Greatly Beloved | Cleobury, et al | | ||||
1937 | Festival Te Deum for the Coronation of George VI | |||||
Orchestra & Chorus | Boult, et al | | ||||
1938 | The Bridal Day , Ballet Music | |||||
Scene I. Andante con moto - Allegretto | Tongue, et al | | ||||
Scene II. Allegretto - Largamente | Tongue, et al | | ||||
Scene III. Allegro moderato - Andante maestoso - Allegro vivace | Tongue, et al | | ||||
Scene IV. Moderato - Allegro - Lento | Tongue, et al | | ||||
Scene V. Allegro - Lento - Andante con moto | Tongue, et al | | ||||
Scene VI. Andante sostenuto | Tongue, et al | | ||||
Scene VII. Andante sostenuto | Tongue, et al | | ||||
Scene VIII. Allegretto | Tongue, et al | | ||||
Scene IX. Lento | Tongue, et al | | ||||
Scene X. Molto adagio | Tongue, et al | | ||||
Scene XI. Andante maestoso | Tongue, et al | | ||||
1938 | Serenade to Music for sixteen solo voices and orchestra, a setting of Shakespeare, dedicated to Sir Henry Wood on the occasion of his Jubilee | |||||
Orchestra Only | Hickox | | ||||
Orchestra & Chorus | Talberg, CSULB | | ||||
1938 | Double Trio for string sextet | |||||
Not Available | | |||||
1939 | Five Variants of Dives and Lazarus | |||||
String Orchestra | Thomson, et al | | ||||
Chamber Orchestra | Friesen, et al | | ||||
1939 | Suite for Pipes | |||||
1. Intrada | Swedish Recorder Qr | | ||||
2. Minuet | Swedish Recorder Qr | | ||||
3. Valse | Swedish Recorder Qr | | ||||
4. Finale | Swedish Recorder Qr | | ||||
1939 | Flourish for Wind Band | |||||
Wind Ensemble | N Texas Wind Ens | | ||||
1940 | Six Choral Songs To Be Sung In Time Of War | |||||
Chorus | Bakken. Et al | | ||||
1940 | 49th Parallel, film score | |||||
Main Title (With original film) | B Herrmann, et al | | ||||
1. Main Title (From album) | Gamba, BBC Phil | | ||||
2. Prologue | Gamba, BBC Phil | | ||||
3. Control Room Alert | Gamba, BBC Phil | | ||||
4. Hudson Bay Post | Gamba, BBC Phil | | ||||
5. Looting the Store | Gamba, BBC Phil | | ||||
6. Death of Kuhnecke | Gamba, BBC Phil | | ||||
7. Hutterite Settlement: Anna's Volkslied & Wheat Harvest | Gamba, BBC Phil | | ||||
8. Winnipeg 1 | Gamba, BBC Phil | | ||||
9. Winnipeg 2 | Gamba, BBC Phil | | ||||
10. Nazi March | Gamba, BBC Phil | | ||||
11. Indian Music 1 | Gamba, BBC Phil | | ||||
12. Indian Music 2 | Gamba, BBC Phil | | ||||
13. Indian Music 3 | Gamba, BBC Phil | | ||||
14. Nazis on the Run - Lake in the Mountains | Gamba, BBC Phil | | ||||
15. Closing Titles | Gamba, BBC Phil | | ||||
1941 | Household Music: Three Preludes on Welsh Hymn Tunes for string quartet or other instruments | |||||
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1942 | Coastal Command, | |||||
1. Main Title | Gamba, BBC Phil | | ||||
2. The Hebridies | Gamba, BBC Phil | | ||||
3. U Boat Alert | Gamba, BBC Phil | | ||||
4. Taking off at Night | Gamba, BBC Phil | | ||||
5. The Hudsons take-off from Iceland | Gamba, BBC Phil | | ||||
6. Dawn Patrol | Gamba, BBC Phil | | ||||
7. Battle of the Beauforts | Gamba, BBC Phil | | ||||
1943 | Symphony No. 5 in D major | |||||
1. Preludio | Handley, et al | | ||||
2. Scherzo | Handley, et al | | ||||
3. Romanza | Handley, et al | | ||||
4. Passacaglia | Handley, et al | | ||||
1943 | Nine Carols for Male Voices arrangements | |||||
1. God Rest You Merry Gentlemen | Chapel Chr - Royal Hosp Chelsea | | ||||
2. As Joseph Was A-Walking | Chapel Chr - Royal Hosp Chelsea | | ||||
3. Mummers Carol | Chapel Chr - Royal Hosp Chelsea | | ||||
4. The First Nowell | Chapel Chr - Royal Hosp Chelsea | | ||||
5. The Lord at First | Chapel Chr - Royal Hosp Chelsea | | ||||
6. Coventry Carol | Chapel Chr - Royal Hosp Chelsea | | ||||
7. I Saw Three Ships | Chapel Chr - Royal Hosp Chelsea | | ||||
8. A Virgin Most Pure | Chapel Chr - Royal Hosp Chelsea | | ||||
9. Dives ands Lazarus | Chapel Chr - Royal Hosp Chelsea | | ||||
1943 | A Wedding Tune for Ann for organ | |||||
Organ | Brunot | | ||||
1943 | A Winter Piece for piano | |||||
Not Available | | |||||
1943 | Song The New Commonwealth | |||||
Chorus (49th Parallel Theme) | Broadbent, et al | | ||||
1943 | The People's Land, | |||||
Orchestra | Gamba, BBC Phil | | ||||
1944 | Oboe Concerto in A minor, for oboe and strings | |||||
1. Rondo pastorale | Hardwick, et al | | ||||
2. Minuet and Musette | Hardwick, et al | | ||||
3. Finale | Hardwick, et al | | ||||
1945 | A Song of Thanksgiving | |||||
Orchestra & Voices | Boult BBC SO | | ||||
1944 | String Quartet No. 2 in A minor | |||||
1. Prelude | Medici Quartet | | ||||
2. Romance | Medici Quartet | | ||||
3. Scherzo | Medici Quartet | | ||||
4. Epilogue | Medici Quartet | | ||||
1945 | Suite The Story of a Flemish Farm in 7 movements | |||||
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1945 | Stricken Peninsula, | |||||
Orchestra | Lane, et al | | ||||
1946 | Concerto for Two Pianos and Orchestra | |||||
1st Movement | Gamache, Krasnyanskaya, Schneider | | ||||
2nd Movement | Gamache, Krasnyanskaya, Schneider | | ||||
3rd Movement | Gamache, Krasnyanskaya, Schneider | | ||||
1946 | The Loves of Joanna Godden, | |||||
Orchestra | Gamba, BBC Phil | | ||||
1947 | Symphony No. 6 in E minor | |||||
Orchestra | Haitink, London PO | | ||||
1947 | Introduction and Fugue for two pianos | |||||
2 Pianos | allarmunumralla | | ||||
1947 | The Lake in the Mountains for piano, based on episode from 49th Parallel | |||||
Piano | Bebbington | | ||||
1948 | Partita for Double String Orchestra | |||||
1. Prelude | Boult, et al | | ||||
2. Scherzo ostinato | Boult, et al | | ||||
3. Intermezzo | Boult, et al | | ||||
4. Fantasia | Boult, et al | | ||||
1948 | Scott of the Antarctic, | |||||
Original Film Music Excerpts | Irving, et al | | ||||
1949 | Fantasia on the old 104th Psalm | |||||
Orchestra | Katin | | ||||
1949 | An Oxford Elegy for narrator, mixed chorus, and small orchestra | |||||
Narrarator & Orchestra | Dods, Miles | | ||||
1949 | Folk Songs of the Four Seasons, Cantata for women's voices with orchestra or piano | |||||
1. Spring | Genti Ensemble, et al | | ||||
2. Summer | Genti Ensemble, et al | | ||||
3. Autumn | Genti Ensemble, et al | | ||||
4. Winter | Genti Ensemble, et al | | ||||
1949 | The Dim Little Island, | |||||
Orchestra | Gamba, BBC | | ||||
1950 | A Cotswold Romance, Cantata for tenor, soprano, baritone, chorus and orchestra, adapted from Hugh the Drover by M. Jackson , Opera | |||||
1. The Men of Cotsall | Hickox, et al | | ||||
2. Sweet Little Linnet | Hickox, et al | | ||||
3. Hugh's Song of the Road | Hickox, et al | | ||||
4. Love at First Sight | Hickox, et al | | ||||
5. The Best Man in England | Hickox, et al | | ||||
6. Alone and Friendless | Hickox, et al | | ||||
7. The Fight and the Sequel | Hickox, et al | | ||||
8. Hugh in the Stocks | Hickox, et al | | ||||
9. Mary Escapes | Hickox, et al | | ||||
10. Freedom at last | Hickox, et al | | ||||
1950 | Concerto Grosso, for three groups of strings, each requiring different levels of technical skill | |||||
1. Intrada | Marriner, et al | | ||||
2. Burlesca ostinata | Marriner, et al | | ||||
3. Sarabande | Marriner, et al | | ||||
4. Scherzo | Marriner, et al | | ||||
5. March and reprise | Marriner, et al | | ||||
1950 | The Sons of Light , cantata | |||||
1. Darkness and Light | Atherton, et al | | ||||
2. Song of the Zodiac | Atherton, et al | | ||||
3. The Messengers of Speech | Atherton, et al | | ||||
1950 | Bitter Springs, film music | |||||
1 Main Titles and Opening Music | Gamba, BBC Phil | | ||||
2 Rocks | Gamba, BBC Phil | | ||||
3 First Desert | Gamba, BBC Phil | | ||||
4 Waterhole | Gamba, BBC Phil | | ||||
5 End of the Trek | Gamba, BBC Phil | | ||||
6 Axes | Gamba, BBC Phil | | ||||
7 Kangaroos | Gamba, BBC Phil | | ||||
8 Boomerang | Gamba, BBC Phil | | ||||
9 Housewarming | Gamba, BBC Phil | | ||||
10 Hunters | Gamba, BBC Phil | | ||||
11 Fire | Gamba, BBC Phil | | ||||
12 Abos Retreat | Gamba, BBC Phil | | ||||
13 Warragani Boy | Gamba, BBC Phil | | ||||
14 Ma and Abos | Gamba, BBC Phil | | ||||
15 Round Up | Gamba, BBC Phil | | ||||
1951 | Romance in D-flat major for harmonica and orchestra | |||||
Harmonica & Orchestra | Adler, Gould, et al | | ||||
1951 | Three Shakespeare Songs for SATB unaccompanied, composed for The British Federation of Music Festivals National Competitive Festival | |||||
1. Full Fathom Five | Alldis, et al | | ||||
2. The Cloud Capp'd Towers | Alldis, et al | | ||||
3. Over Hill, Over Dale | Alldis, et al | | ||||
1951 | Incidental music to BBC production of Thomas Hardy's The Mayor of Casterbridge, | |||||
1. Casterbridge | Daniel, et al | | ||||
2. Intermezzo | Daniel, et al | | ||||
3. Weyhill Fair | Daniel, et al | | ||||
1952 | Sinfonia antartica (#7) With Narrator | |||||
1. Prelude - Andante maestoso | Manze, West, et al | | ||||
2. Scherzo moderato | Manze, West, et al | | ||||
3. Landscape - Lento | Manze, West, et al | | ||||
4. Intermezzo - Andante sostenuto | Manze, West, et al | | ||||
5. Epilogue - Alla marcia, moderato | Manze, West, et al | | ||||
1952 | Sinfonia antartica (#7) Without Narrator | |||||
1. Prelude - Andante maestoso | Handley, et al | | ||||
2. Scherzo moderato | Handley, et al | | ||||
3. Landscape - Lento | Handley, et al | | ||||
4. Intermezzo - Andante sostenuto | Handley, et al | | ||||
5. Epilogue - Alla marcia, moderato | Handley, et al | | ||||
1952 | A Choral Flourish for unaccompanied SATB chorus, | |||||
Chorus & Orchestra | Brown, et al | | ||||
1952 | In the Spring, song | |||||
Voice & Piano | Luxon, Willison | | ||||
1952 | Sonata in A minor for violin and piano | |||||
Violin & Piano | Bean, et al | | ||||
1953 | "The 23rd Psalm" for soprano and chorus, arranged by John Churchill | |||||
Voice & Chorus | Lane, Hickox | | ||||
1953 | O Taste and See, a motet setting of Psalm 34:8. The original SATB version was composed for the Coronation of HM Queen Elizabeth II at Westminster Abbey in June 1953. | |||||
Chorus & Orchestra | Rutter, et al | | ||||
1953 | The Old One Hundredth Psalm Tune, harmonisation and arrangement | |||||
Chorus & Orchestra | Cambridge Choir | | ||||
1953 | Prelude on an Old Carol Tune | |||||
Orchestra | Hickox, et al | | ||||
1954 | Tuba Concerto in F minor | |||||
1. Prelude - Allegro Modeto | Baadsvik, Manson, et al | | ||||
2. Romanza. Andante sostenuto | Baadsvik, Manson, et al | | ||||
3. Finale. Rondo all tedesca: Allegro | Baadsvik, Manson, et al | | ||||
1954 | Hodie, a Christmas cantata | |||||
I: Prologue - Nowell, Nowell | Willcocks, et al | | ||||
II: Narration- Now the Birth of Jesus Christ | Willcocks, et al | | ||||
III: Song - Winter Wild | Willcocks, et al | | ||||
IV: Narration | Willcocks, et al | | ||||
V: Choral - Blessed Son of God | Willcocks, et al | | ||||
VI: Narration | Willcocks, et al | | ||||
VII: Song - The Oxen | Willcocks, et al | | ||||
VIII: Narration - Shepherds Retuned | Willcocks, et al | | ||||
IX: Pastoral - Shepherds Sing | Willcocks, et al | | ||||
X: Narration | Willcocks, et al | | ||||
XI: Lullaby | Willcocks, et al | | ||||
XII: Hymn - Bright Portals | Willcocks, et al | | ||||
XIII: Narration | Willcocks, et al | | ||||
XIV: The March of the Three Kings | Willcocks, et al | | ||||
XV: Choral | Willcocks, et al | | ||||
XVI: Epilogue | Willcocks, et al | | ||||
1954 | Four Last Songs | |||||
1. Procris | Maurice, Johnson | | ||||
2. Tired | Maurice, Johnson | | ||||
3. Hand, Eyes, Heart | Maurice, Johnson | | ||||
4. Menelaus | Maurice, Johnson | | ||||
1955 | Symphony No. 8 in D minor | |||||
1. Fantasia | Boult, et al | | ||||
2. Scherzo alla Marcia | Boult, et al | | ||||
3. Cavatina | Boult, et al | | ||||
4. Finale | Boult, et al | | ||||
1955 | Sun, Moon and Stars | |||||
1. Horses of the Sun | Young, et al | | ||||
2. Rising of the Moon | Young, et al | | ||||
3. Procession of the Stars | Young, et al | | ||||
4. Songs of the Sons of Light | Young, et al | | ||||
1955 | The England of Elizabeth, | |||||
1. Main Title | Gamboa, et al | | ||||
2. Books | Gamboa, et al | | ||||
3. Stratford | Gamboa, et al | | ||||
4. Treasures | Gamboa, et al | | ||||
5.King's College | Gamboa, et al | | ||||
1955 | Three Portraits from The England of Elizabeth: concert suite | |||||
1. Explorer | Previn, et al | | ||||
2. Portrait | Previn, et al | | ||||
3. Queen | Previn, et al | | ||||
1956 | Two Organ Preludes founded on Welsh Folk Songs | |||||
1. Romanza - The White Rock | Nickol | | ||||
2. Toccata - St David's Day | Nickol | | ||||
1957 | Symphony No. 9 in E minor | |||||
Sir Adrian Boult Intro | Boult | | ||||
1. Moderato maestodo | Thomson, et al | | ||||
2. Andante sostenuto | Thomson, et al | | ||||
3. Scherzo - Allegeo Pesante | Thomson, et al | | ||||
4. Andante tranquilo | Thomson, et al | | ||||
1957 | Flourish for Glorious John | |||||
Orchestra | Slatkin, et al | | ||||
1957 | Ten Blake Songs, song cycle for high voice and oboe | |||||
Voice & Oboe | Erato Esemble | | ||||
1957 | Variations for brass band | |||||
Brass Bsnd | Cook, et al | | ||||
1958 | The First Nowell , Incidental Music | |||||
Orchestra & Singers | Hickox, et al | | ||||
1958 | 3 Vocalises | |||||
Soprano & Clarinet | Blaise, Berk, Berk-Seiz | | ||||